As the 1920s closed, Thelma began getting parts in more and more films. In 1928 and 1929 alone she was featured in 20 pictures, and not just comedies--she also did dramas and gothic horror films. Unlike many silent-era stars whose voices didn't fit their image or screen persona, Thelma's did. She had a bright, breezy, clear voice with a pleasant trace of a somewhat aristocratic, but not snobbish, New England accent and easily made the transition to sound films. In 1930 she added 14 more pictures to her resume, with Dollar Dizzy (1930) and Follow Thru (1930) being the most notable. The latter was a musical with Thelma playing a rival to Nancy Carroll for the affections of Buddy Rogers. It was a box-office hit, as was the stage production on which it was based. The following year Thelma appeared in 14 more films, among them Let's Do Things (1931), Speak Easily (1932), The Old Bull (1932) and On the Loose (1931). Her most successful film that year, however, was the Marx Brothers farce Monkey Business (1931). While critics gave the film mixed reviews, the public loved it. In 1932 Thelma appeared in another Marx Brothers film directed by Norman Z. McLeod, Horse Feathers (1932). She also starred in This Is the Night (1932), a profitable film which featured Cary Grant in his first major role. In 1934 Thelma made 16 features, but her career would soon soon come to a grinding halt. In 1935 she appeared in such films as Twin Triplets (1935) and The Misses Stooge (1935), all showcasing her considerable comic talents. She also proved to be a savvy businesswoman with the opening of "Thelma Todd's Sidewalk Cafe," a nightclub/restaurant that catered to show business people. It also, unfortunately, attracted some shady underworld types as well, and there were rumors that they were trying to take over her club and use it as a gambling establishment in order to fleece the wealthy Hollywood crowd. According to these stories, Thelma and her boyfriend, director Roland West, wouldn't sell their establishment once they found out what the gangsters had in mind, thereby incurring the enmity of people it was not a good idea to become enemies of. Whether the stories were true or not, on December 16, 1935, Thelma was found dead in her car in her garage in Los Angeles. Her death was ruled a suicide owing to carbon monoxide poisoning. She was only 29 years old. At the time, as today, many felt that her death was actually a murder connected to the goings-on at her club, a theory that was lent credence by the fact that no one who knew her had ever seen her depressed or morose enough to worry about her committing suicide. Another factor that aroused suspicion was that her death was given a cursory investigation by the--at the time--notoriously corrupt Los Angeles County District Attorney's Office and the case was quickly and unceremoniously closed. Her death has remained a controversial one even to this day.
Three films she made before her death weren't released until the following year: Hot Money (1936), All-American Toothache (1936), and The Bohemian Girl (1936). The latter saw her quite substantial role cut down so much that she was barely glimpsed in the picture. Thelma had made an amazing 115 films in such a short career, and her beauty and talent would no doubt have taken her right to the top if it hadn't been for her untimely demise.
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